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My name is Milenna. I was born
in Sao Paulo, Brazil, in 1979. I
come from a family of musicians
and artists who have really
inspired and motivated me. I’ve
been drawing and dancing since I
was really young. My days were
completely occupied by intensive
Olympic Gymnastics and
Competition Aerobics training. I
was on the national Brazilian
team competing all over the
country and South America. Our
team won (almost) every
competition in the ensuing years
and I myself had accumulated
lots of medals, contusions and
sketchbooks. After six years of
competition, I lost my passion
for Gymnastics and decided to
pursue my academic interests in
the arts. When I turned 18, I
moved to the United States by
myself to study abroad. Aerobics
has given me strength,
discipline and persistence,
which I consider my best
qualities today.
In July of 1998 I took the first
drawing class of my life and
found true love: ART! Art is the
language of my thoughts. I find
it easier to paint than to use
words. The lights, the darks,
the layers of depth that comes
from playing with textures and
colors, they all give me a
freedom that I cannot find in
Portuguese or English. Painting
is my quiet way of expressing my
heritage and questioning social
values. My work has become a
tool for me to narrate my life
experiences in parables.
There is a connection between my
work and that of Surrealists,
especially in their search for
the miraculous in everyday
things and situations, together
with their nourishment of
analogical thinking. The
paintings I make reflect my
personal mythology. I am looking
for an opening for the viewer to
enter their own thoughts and
words, which I create in my
mind, while encouraging the
projection of one’s own
interpretations and dreams onto
the ambiguous images I create.
My work today has a strong
political background. I feel
that with all the corruption,
war, terror, disrespect to
nature and the human life
itself, as an artist I must to
comment and criticize about
what’s happening. My work has
also some feminist tendencies.
I, as a Brazilian woman and a
lesbian, living in a patriarchal
world, and living in the most
superficial place on earth (Los
Angeles), feel the necessity to
comment on how it feels to be
and experience those things.
I work primarily with oil paint
on canvas and wood board but I’m
constantly experimenting new
mediums such as video
projections on painted canvas
and some collage. I also work
with various canvases placing
them together. I find challenge
in giving the canvas an extra
dimension and blurring the line
between sculpture and painting.
Last year I had a solo
exhibition at Element Art
Lounge, in San Francisco. She
show was called “LOVE WILL LIFT
YOU UP ~ LOVE WILL BRING YOU
DOWN”.* On this series I
explored the dark, painful but
yet beautiful side of love in
very expressive brush strokes
and vibrant colors. I used oil
paint over mixed medium collages
that vary from ex-lovers letters
to telephone book pages. With a
touch of surrealism I intended
connect the viewers with a very
familiar feeling to all: love.
On my latest art exhibition,
“TROPICS”**, that is still up at
the Municipal Gallery of Los
Angeles, I have created a
painting installation called
“Order and Progress” that
consists of 27 canvases. All of
them together form a map of
Brazil on the wall. Each canvas
represents a state in Brazil.
They are semi-abstract oil
paintings of different sizes,
painted on a bed of articles in
Portuguese that speak only about
horrible things happening in
Brazil today. The colors I used
are the colors found in the
Brazilian flag. On top of all
that I painted some
photo-realist Brazilian birds
(Ben-Te-Vi) and thin tree
branches. That is my view of
Brazil: a beautiful country,
habituated by the most colorful
people on earth, with the most
beautiful nature; but if you
look closer you see all the
corruption of its government,
the poverty, violence and
desperation of it’s people. The
bird represents me. I flew away
and now comment from a different
perspective, from here.
I paint from my
intuition. I paint my dreams,
ideals, opinions and
frustrations. Painting calms me
and allows me to see better. My
paintings have been and will
always be an expression of my
emotions and a quiet protest
about this world we are living
in…actually, dying in.
-----------The end. Or the
beginning.
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